Wilhering Abbey, re-constructed in the 18th century, are known for their spectacular Rococo decoration. The monastery was founded by Ulrich and Kolo of Wilhering, who donated their family's old castle for the purpose in 1146. The abbey almost came to an end during the Protestant Reformation, when Abbot Erasmus Mayer absconded with its funds to Nuremberg, where he married. By 1585, there were no monks left at the abbey, which was only saved by the efforts of Abbot Alexander a Lacu, who was installed by the Emperor during the Counter-Reformation.
The abbey buildings were almost entirely destroyed by fire on 6 March 1733. Of the previous buildings, only a Romanesque doorway, parts of the Gothic cloister and two tombs remained. Abbot Johann Baptist Hinterhölzl (1734-1750) made emergency repairs to the church using the remnants of the walls. The church was later completely rebuilt in the Rococo style by Johann Haslinger of Linz. The ceiling and altar paintings are by Martino Altomonte and his son Bartolomeo, while the richly coloured stucco work is by Johann Michael Feichtmayr and Johann Georg Ueblherr. The result is now one of the most significant Rococo buildings in the German-speaking world.
In 1940, Wilhering Abbey was expropriated by the Nazis, and the monks were expelled; some were arrested and sent to concentration camps, while others were forced into military service. The abbot, Dr. Bernhard Burgstaller, was imprisoned and died of starvation in 1941. The buildings were used at first to accommodate the seminary from Linz, and then from 1944 for displaced Germans from Bessarabia and as a military hospital. In 1945, American troops took over the premises. The monks returned in the same year to resume monastic life and to reopen the school. As of 2007, the monastic community numbered 28.
Today the abbey's business enterprises—mainly forestry, farming, and greenhouses—provide a sound economic basis for the monastery. There is also a school for about 450 children.
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The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.